Photo: Lacquer tree (Toxicodendron vernicifluum), Kiso valley (Gifu) 漆樹, 岐阜県木曾谷
Bamboo tubes (funzutsu) used for sprinkling gold and silver flakes
粉筒 蒔絵において、金銀粉を入れて振り蒔くのに用にる筒Maki-e brushes, made of cat, rabbit, or mouse hair, with ends of adjustable length
蒔絵筆 猫、鼠、兎などの毛が使われている。穂の長さが調節出来るように引通し構造になっています。
Inrô 印籠
Togidashi and hiramaki-e 研出、平蒔絵
Ducks 流水鴨図
Signed “Jôkasai” 銘 常嘉斎
Edo period, late 18th - early 19th century 江戸中~末期 (18世紀末~19世紀初)
CB-LJ-1964-301Inrô 印籠
Gold togidashi 金研出蒔絵
Phoenix and paulownia 鳳凰桐図
Signed “Jôkasai” 銘 常嘉斎
Edo period, late 18th - early 19th century 江戸中~末期 (18世紀末~19世紀初)
CB-LJ-1964-31Tea caddies (natsume) 棗
Left: plain wood 左 : 木胎素地
Right: polychrome togidashi 右 : 色絵研出蒔絵
Chrysanthemum flowers 菊花図
Unsigned 無銘
CB-LJ-1931-106
Inrô or tobacco box with netsuke 印籠と根付
Makie-e and mother-of-pearl inlay 蒔絵螺鈿
Butterflies and Fukurokuju 蝶福禄寿図
Signed “Koryû” with seal 銘 古笠 (印)
19th century 江戸末期~明治初期
CB-LJ-1964-410Wide brushes (urushi hake), made of women’s hair, used for applying the thin top layers of lacquer
漆刷毛 漆の上塗に用いる刷毛。婦人の頭髪を檜板にはさんで作る。
(left) harai-kebo, brush used for wiping off dust before applying a layer of lacquer
(左) 払毛棒 塗りや蒔絵を始める前に器物の誇りを払う毛棒
(right) mensô-fude, brush used for drawing outlines and fine lines
(右) 面相筆 蒔絵筆の一種で、主に線描きに用いられる細い筆
Inrô, style Somada 杣田風印籠
Mother-of-pearl and gold leaf inlay 蒔絵金箔螺鈿象嵌
Landscape 山水図
Unsigned 無銘
19th century 江戸末期~明治初期
CB-LJ-1964-97